B.A. Anthropology and English, UC Berkeley (2003)
M.A. Folklore, University of Pennsylvania (2005)
M.A. International Studies, Institut Européen des Hautes Etudes Internationales, France (2007)
Ph.D. (dual) Anthropology and Folklore, University of Pennsylvania (2013)
Dr. Leah Lowthorp is a cultural anthropologist and folklorist whose work engages art and social change, critical heritage studies, cosmopolitanism(s), post-colonial theory, and the online circulation of biopolitical narratives. She has conducted ethnographic research with the Kutiyattam Sanskrit theater community in Kerala, India, since 2006, and more recently with online communities in an investigation of the digital folklore of human genetic and reproductive technologies. Her work has been funded by the Mellon Foundation, American Council of Learned Societies, and the American Institute of Indian Studies. Prior to joining the department, Dr. Lowthorp was a College Fellow in Folklore and Mythology at Harvard University (2014-16) and a Mellon/ACLS Public Fellow at the Center for Genetics and Society (2016-18).
Her current book project, Shifting Cosmopolitanisms: Kutiyattam Sanskrit Theater and UNESCO Intangible Heritage in India, expands inquiry into alternative cosmopolitan imaginaries, analyzing the performing body as engaged in dynamic interplay with social, economic, and political change over the long durée. In exploring how the world's oldest continuously performed theater has been embedded in multiple cosmopolitan formations over time, from Sanskrit cosmopolis to UNESCO intangible heritage of humanity, the work makes a unique intervention by radically expanding the temporal scope of cosmopolitan possibility today.
Forthcoming. “Kutiyattam, Heritage, and the Dynamics of Culture: Claiming India’s Place within a Global Paradigm Shift.” Asian Ethnology, Special issue – Intangible Heritage in Asia, eds. Patricia Hardwick and Ziying You.
2020. “Statement on Heritable Human Genome Editing: The Need for Course Correction.” Trends in Biotechnology 38(4): 351-54, with co-authors Roberto Andorno, George Annas, Françoise Baylis, Catherine Bourgain, Marcy Darnovsky, Donna Dickenson, Katherine Drabiak, Sigrid Graumann, Katrin Grüber, Hille Haker, Katie Hasson, Carl Walter Matthias Kaiser, Regine Kollek, Calum MacKellar, Jing-Bao Nie, Osagie K. Obasogie, Mirriam Tyebally, Gabriele Werner-Felmayer, and Jana Zuscinova. https://www.sciencedirect.com/science/article/pii/S0167779919303178
2018. “#CRISPRfacts, Gene Editing, and Joking in the Twittersphere.” Journal of American Folklore 131(522): 482-492, Special issue – Fake News, ed. Tom Mould.
2018. Co-editor (with Frank J. Korom). South Asian Folklore in Transition: Crafting New Horizons. London: Routledge.
2018. (with Jessica Cussins). “Germline Modification and Policymaking: The Relationship between Mitochondrial Replacement and Gene Editing.” New Bioethics 24(1):74-94.
2017. “Folklore, Politics, and the State: Kutiyattam and National/Global Heritage in India.” South Asian History & Culture 8(4):1-18, Special issue – South Asian Folklore in the 21st Century, eds. Leah Lowthorp and Frank J. Korom.
2016. “Freedom in Performance: Actresses and Creative Agency in the Kutiyattam Theatre Complex.” Samyukta: A Journal of Women’s Studies 16: 83-108, Special issue – Women in Indian Theatre, ed. Arya Madhavan.
2015. “Voices on the Ground: Kutiyattam, UNESCO, and the Heritage of Humanity.” Journal of Folklore Research 52(2/3): 157-180, Special issue – UNESCO on the Ground: Local Perspectives on Global Policy for Intangible Cultural Heritage, eds. Michael Dylan Foster and Lisa Gilman (also published as UNESCO on the Ground: Local Perspectives on Intangible Cultural Heritage (2015), eds. Michael Dylan Foster and Lisa Gilman. Bloomington: University of Indiana Press).
2014. “The Irish Kerryman Joke: Culchies, Cute Hoors, and the Emergence of a Late-Modern Fool Region Joke.” Western Folklore 73(2/3): 297-322, Special issue – Dundes Matters, eds. Rosemary Lévy Zumwalt and Perin Gürel.
2020. “Extending the Concept of Ethnic Genre beyond Folkloristics.” Special issue, Ethnicity and Genres: Essays in Honor of Dan Ben-Amos, ed. Juwen Zhang. Western Folklore 79(1): 131-34.
2018 (with Marcy Darnovsky and Katie Hasson). “Reproductive Gene Editing Imperils Universal Human Rights” (trans. Chinese, Spanish, Russian). Open Global Rights, February 15, https://www.openglobalrights.org/reproductive-gene-editing-imperils-universal-human-rights/?lang=English.
2017 (with Marcy Darnovsky). “Reproductive Genome Editing and the U.S. National Academies Report: Knocking on a Closed Door or Throwing It Wide Open?” Bioethica Forum: Swiss Journal of Biomedical Ethics 10(2): 65-67, Special issue – Genome Editing, ed. Roberto Andorno.
2016. “The UNESCO Impact: Kutiyattam after Global Recognition.” Nartanam: A Quarterly Journal of Indian Dance.
2013. “The Translation of Kutiyattam into National and World Heritage on the Festival Stage: Some Identity Implications,” in South Asian Festivals on the Move, eds. Ute Hüsken and Axel Michaels, Indo-Ethnology Series, Wiesbaden: Harrassowitz.
2011. “‘Post-UNESCO’ Kutiyattam: Some Methodological Considerations.” Indian Folklife, Special Issue (July 2011) – Kutiyattam: 10 years after the UNESCO-declaration, ed. Heike Moser.
2017. Book Review of Heritage Regimes and the State, eds. Regina Bendix, Aditya Eggert and Arnika Peselmann. Asian Ethnology 76(1): 156-157.
2016. Book Review of Cultural Heritage in Transit: Intangible Rights as Human Rights, ed. Deborah Kapchan. Western Folklore 74(3/4): 408-410.
2015. “Reflections on Zagreb 2015.” SIEF News (Newsletter of the International Society for Ethnology and Folklore).